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Before appearing with its siblings in the large exhibition, The Lute Player found yet another purpose, appearing with Caravaggio’s Musician’s and Laurent de La Hyre’s Allegory of Music in a boutique show of Met-owned period instruments that were depicted in the three paintings (Fig. 9). The grouping of objects explored the possibility that knowledgeable viewers–then and now–might hear music when looking at the two-dimensional art. Not until the major retrospective would The Lute Player take its rightful place as a constituent of the Caravaggesque oeuvre of Valentin de Boulogne (Figs. 10 and 11).