Beethoven essay

A particularly imaginative reaction to the slow movement came from the great English novelist and Beethoven admirer . Forster, who in his 1935 essay Wordmaking and Sound-taking observes: “It strikes and strokes immediately, and elderly gentlemen before myself have called it ‘Beauty and the Beast.’ What about Orpheus and the Furies, though? When the movement begins I always repair to the entrance of Hell and descend under the guidance of Gluck through diminishing opposition to the Elysian Fields…. The piano turns into Orpheus, and the strings, waving less and less their snaky locks, sink at last into acquiescence with true love.”


Or, if you don’t know where to start, just play a random unheard Beethoven work:  
Play Pause Stop Popout player

For a different random work, please refresh this page.
Longtime followers of this site will find that it’s now much different—we’ve entered the 21st century and you can anticipate more frequent updates and new works being brought to you. In addition, we will slowly be converting the MIDI files into mp3s, with the goal of eventually getting the entire site in mp3 format (though the MIDIs will remain available for those still suffering with bandwidth constraints). For files that are in mp3 format, we and the Surgeon General strongly advise accessing those versions unless you have a superior soundcard and specialized MIDI software.

Beethoven essay

beethoven essay


beethoven essaybeethoven essaybeethoven essaybeethoven essay